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After receiving her PhD in 1972, Korsmeyer began to focus her research on feminist philosophy and the field of aesthetics. Feminist perspectives in aesthetics has long been major work of Korsmeyer. [2] Fine art, genius, beauty, taste, and aesthetic perception are gendered issues that she has studied and researched. [3]
Perception management is a term originated by the US military. [citation needed] The US Department of Defense (DOD) gives this definition: Actions to convey and/or deny selected information and indicators to foreign audiences to influence their emotions, motives, and objective reasoning as well as to intelligence systems and leaders at all levels to influence official estimates, ultimately ...
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Perception, memory and aesthetics of indeterminate art [3] Common ground for spatial cognition? A behavioral and fMRI study of sex differences in mental rotation and spatial working memory [4] Contagious yawning and the brain [5] Stereoscopic Depth and the Occlusion Illusion [6] Neural mechanisms underlying auditory feedback control of speech [7]
Impression management is usually used synonymously with self-presentation, in which a person tries to influence the perception of their image. The notion of impression management was first applied to face-to-face communication , but then was expanded to apply to computer-mediated communication .
Perception (Level 1 SA): The first step in achieving SA is to perceive the status, attributes, and dynamics of relevant elements in the environment. Thus, Level 1 SA, the most basic level of SA, involves the processes of monitoring, cue detection, and simple recognition, which lead to an awareness of multiple situational elements (objects ...
The term ‘somaesthetics’ was coined by the American pragmatist philosopher Richard Shusterman in 1996 through the compounding of “soma”, an expression derived from the Greek word for body, and “aesthetics”, a word derived from the Greek aesthesis, meaning ‘sensory perception’. [1]
The aesthetic properties of a product contribute to the identity of a company or a brand. Faults or defects in a product that diminish its aesthetic properties, even those that do not reduce or alter other dimensions of quality, are often cause for rejection. Aesthetics refers to how the product looks, feels, sounds, tastes, or smells.