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A new version of neoclassicism appeared briefly during the French Directory (1795–99), which mingled elements the Pompeiian style with the Adam style from England. When Napoleon Bonaparte seized power from the Directory, the neoclassical style began to take on a new form, called Empire style (1799–1815).
The Empire style (French pronunciation: [ɑ̃.piːʁ], style Empire) is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism.
The style corresponds to the more bourgeois Biedermeier style in the German-speaking lands, Federal style in the United States, [57] the Regency style in Britain, and the Napoleon style in Sweden. According to the art historian Hugh Honour "so far from being, as is sometimes supposed, the culmination of the Neoclassical movement, the Empire ...
Battle Of Austerlitz, 2 December 1805 is an oil-on-canvas painting by the French painter François Gérard from 1810. The painting depicts the moment at the conclusion of the Battle of Austerlitz in which the French General Jean Rapp presents to Napoleon Bonaparte the captured Prince Repnin, commander of the Russian Imperial Guard, signifying the victory of Napoleon’s army over the combined ...
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
This painting uses elements of the composition of Jacques-Louis David's 1784 Oath of the Horatii, also held at the Louvre, such as the three arcades from Oath, which defined three different worlds (the three sons making the oath in the left, the father brandishing the swords in the middle and the women abandoned to sadness in the right), a principle taken up in this painting as well.
The characters in the painting. Napoleon I (1769–1821), is standing, dressed in coronation robes similar to those of Roman emperors. Others are merely passive spectators. In the actual painting it is possible to see the outline of what was originally painted: Napoleon holding the crown above his own head, as if placing it on himself.
Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. [1] The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.