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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Pages in category "Indian musical instruments" The following 147 pages are in this category, out of 147 total. This list may not reflect recent changes. *
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
This article has an unclear citation style. The references used may be made clearer with a different or consistent style of citation and footnoting. (July 2020) (Learn how and when to remove this message) Tyagaraja, known for his extensive contributions to Carnatic music Music of India Genres Traditional Classical Carnatic Odissi Hindustani Folk Borgeet Baul Bhajan Kirtana Shyama Sangeet ...
The dilruba (also spelled dilrupa) [1] is a bowed musical instrument originating in India. It is a type of Bowed Sitar that's slightly larger than an esraj and has a larger, square resonance box like a sarangi. The dilruba holds particular importance in Sikh history.
They increased the number of chikari (drone) strings and increased the number of tarafdar (sympathetic) strings. However, as is the case with most young, evolving instruments, much work remains to be done in the area of sarod luthiery in order to achieve reliable customization, and precise replication of successful instruments. This reflects ...
The ghatam is one of the most ancient percussion instruments in Pakistan and India. It is a clay pot with a narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of iron filings, the pitch of the ghatam varies according to its size.
From the point of view of Indian classical music, there were also technical concerns with the harmonium, including its inability to produce slurs, gamaka (playing semi-tone between notes) and meend (slides between notes) which can be done in instruments like sitar and sarod, [2] and the fact that, as a keyboard instrument, it is set to specific ...