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Asyndeton may be contrasted with syndeton (syndetic coordination) and polysyndeton, which describe the use of one or multiple coordinating conjunctions, respectively. More generally, in grammar , an asyndetic coordination is a type of coordination in which no coordinating conjunction is present between the conjuncts.
Asyndeton – the deliberate omission of conjunctions that would normally be used. Audience – real, imagined, invoked, or ignored, this concept is at the very center of the intersections of composing and rhetoric. Aureation – the use of Latinate and polysyllabic terms to "heighten" diction.
Polysyndeton (from Ancient Greek πολύ poly "many" and συνδετόν syndeton "bound together with") [1] is the deliberate insertion of conjunctions into a sentence for the purpose of "slow[ing] up the rhythm of the prose" so as to produce "an impressively solemn note."
Syndeton (from the Greek συνδετόν "bound together with") or syndetic coordination in grammar is a form of syntactic coordination of the elements of a sentence (conjuncts) with the help of a coordinating conjunction.
The Wilhelmus, the national anthem of the Netherlands, has a structure composed around a thematic chiasmus: the 15 stanzas of the text are symmetrical, in that verses one and 15 resemble one another in meaning, as do verses two and 14, three and 13, etc., until they converge in the eighth verse, the heart of the song.
In September 2020, Dailymotion partnered with Mi Video, the global video app developed by Xiaomi. [18] The partnership will help Mi Video to increase its engagement with its audience and continue its growth momentum. Access to Dailymotion's global and regional music, entertainment, sports and news catalogues will be provided to Mi Video users. [19]
In grammar, parallelism, also known as parallel structure or parallel construction, is a balance within one or more sentences of similar phrases or clauses that have the same grammatical structure. [1]
The following is a list of songs that have been the subject of plagiarism disputes. In several of the disputes the artists have stated that the copying of melody or chord progression was unconscious. In some cases the song was sampled or covered. Some cases are still awaiting litigation.