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Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
When composing using this concept, the pitch axis is simply a chosen note (a specific pitch), which is thought of as the tonic for a sequence of chords, which must all have this pitch as their root note. However, the other notes in each chord may be drawn from completely different keys. A mode (or any other scale) is chosen that fits with each ...
Kyrie "orbis factor", in mode 1 (Dorian) with B ♭ on scale-degree 6, descends from the reciting tone, A, to the final, D, and uses the subtonium (tone below the final). After the reciting tone, every mode is distinguished by scale degrees called "mediant" and "participant". The mediant is named from its position between the final and reciting ...
Standard tuning (listen) Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e ...
As explained above, all major scales use the same interval sequence T–T–S–T–T–T–S. This interval sequence was called the Ionian mode by Glarean. It is one of the seven modern modes. From any major scale, a new scale is obtained by taking a different degree as the tonic. With this method it is possible to generate six other scales or ...
An essentially nine-note blues scale is defined by Benward and Saker as a chromatic variation of the major scale featuring a flat third and seventh degrees (in effect substitutions from Dorian mode) which, "alternating with the normal third and seventh scale degrees are used to create the blues inflection. These 'blue notes' represent the ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
Lydian mode. The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of ...