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Beat the Whites with the Red Wedge (Russian: Клином красным бей белых!, Klinom krasnym bey belykh!) is a 1919 lithographic Bolshevik propaganda poster by El Lissitzky. In the poster, the intrusive red wedge symbolizes the Bolsheviks, who are penetrating and defeating their opponents, the White movement, during the Russian ...
Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [12] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.
World War I film propaganda. Nations were new to cinema and its capability to spread and influence mass sentiment at the start of World War I. The early years of the war were experimental in regard to using films as a propaganda tool, but eventually became a central instrument for what George Mosse has called the "nationalization of the masses ...
The Russian railway network in 1912. Russia was one of the major belligerents in the First World War: from August 1914 to December 1917, it fought on the Entente 's side against the Central Powers. At the beginning of the 20th century, the Russian Empire was a great power in terms of its vast territory, population, and agricultural resources.
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Young Pioneers, with their slogan: "Prepare to fight for the cause of the Communist Party" An important goal of Soviet propaganda was to create a New Soviet man.Schools and Communist youth organizations such as the Young Pioneers and Komsomol served to remove children from the "petit-bourgeois" family and indoctrinate the next generation into the "collective way of life".
Agitprop (/ ˈædʒɪtprɒp /; [1][2][3] from Russian: агитпроп, romanized: agitpróp, portmanteau of agitatsiya, "agitation" and propaganda, "propaganda") [4] refers to an intentional, vigorous promulgation of ideas. The term originated in the Soviet Union where it referred to popular media, such as literature, plays, pamphlets, films ...
t. e. The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic ...