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The psychology of music preference is the study of the psychological factors behind peoples' different music preferences. One study found that after researching through studies from the past 50 years, there are more than 500 functions for music. [1] Music is heard by people daily in many parts of the world, and affects people in various ways ...
Musicology (from Greek μουσική mousikē 'music' and -λογια -logia, 'domain of study') is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into ...
The "AD" monogram that Albrecht Dürer used as a signature. Monograms first appeared on coins, as early as 350 BC. The earliest known examples are of the names of Greek cities which issued the coins, often the first two letters of the city's name. For example, the monogram of Achaea consisted of the letters alpha (Α) and chi (Χ) joined ...
These are the best gifts for music lovers. From concert gear to instrument accessories, we found the best presents out there for the musician in your life. Music-Themed Gifts for That Person Who ...
Musical anhedonia. (Redirected from Musical Anhedonia) Musical anhedonia is a neurological condition characterized by an inability to derive pleasure from music. [1] People with this condition, unlike those suffering from music agnosia, can recognize and understand music but fail to enjoy it. [2]
The monogram the teacher gave to Clemens would later become the brand's signature logo. [ 1 ] In 2005, Clemens was an accounting student at Pace University and a DJ, where he would go downtown at Century 21 to go shopping in women's European brands such as: Yves Saint-Laurent, Maison Margiela and Hemut Lang. [ 6 ] Clemens then founded his ...
Lisztomania. Lisztomania or Liszt fever was the intense fan frenzy directed toward Hungarian composer Franz Liszt during his performances. This frenzy first occurred in Berlin in 1841 and the term was later coined by Heinrich Heine in a feuilleton he wrote on 25 April 1844, discussing the 1844 Parisian concert season.
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch).