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The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian Jährig, two Condor Legion pilots with the rank of Oberleutnant. The somber music has a minor character, and the song was "exposed to the accusation of being un-German, Russian or ...
Nazi leaders can be seen singing the song at the finale of Leni Riefenstahl's 1935 film Triumph of the Will. Hitler also mandated the tempo at which the song had to be played. [ 18 ] After Hitler's public speeches, he would exit during the playing of both the national anthem and then the Horst Wessel Song.
For great freedom's sake. — Refrain: — Hey F.P.O.! We are here! — Bold, daring, and ready for battle. — This very day the partisans will defeat the fiend, — In the struggle for workers' power. The limbs are strong. Muscles of steel and lead, We are leaving the ghetto today In order to bring you freedom tomorrow. — Refrain
The song begins with the line "Auf der Heide blüht ein kleines Blümelein" (On the heath a little flower blooms), the theme of a flower (Erika) bearing the name of a soldier's sweetheart. [5] After each line, and after each time the name "Erika" is sung, there is a three beat pause , which is filled by the timpani or stamping feet (e.g. of ...
The song appeared on the soundtrack album for the movie of the same name. It was derived from the burlesque show within the film but did not appear within it. [1] It also echoes Brooks's 1967 film The Producers, with the lines "Don't be stupid, be a smarty. Come and join the Nazi Party," [2] taken from the song "Springtime for Hitler".
Skrewdriver was instrumental in setting up Blood & Honour, a neo-Nazi music promotion network. Their song Smash the IRA became popular amongst Loyalists in Northern Ireland. It was one of a number of Skrewdriver songs covered by a Belfast band called Offensive Weapon, who also covered songs by Black artists such as Chuck Berry. [18]
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[6] According to the Human Rights and Equal Opportunity Commission "racist music is principally derived from the far-right skinhead movement and, through the Internet, this music has become perhaps the most important tool of the international neo-Nazi movement to gain revenue and new recruits."