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Engaged columns embedded in a side wall of the cella of the Maison Carrée, Nîmes, France, unknown architect, 2nd century. An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load.
An Islamic architectural term for the tribune raised upon columns, from which the Koran is recited and the prayers intoned by the Imam of the mosque. [28] Temples which have a double range of columns in the peristyle, as in the temple of Diana at Ephesus. [29] Distyle in antis Having two columns. A portico having two columns between two anta [30]
The concatenation usually articulates the wall by superimposing elements of the architectural order, such as pilasters or engaged columns, inside which a round arch or a series of arches open. [2] Two hierarchical orders are usually superimposed: the minor order supports the arch, which, in turn, is framed under the entablature of the major order.
As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above.
If free-standing columns surround the entire building, it is a peripteros. Unlike a peripteros , a pseudoperipteros has no space ( peristasis ) between the cella ( naos , inner chamber) and the outer walls on the sides and rear, so the engaged columns can also be considered to be embedded directly into those walls of the cella .
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded ...
Tuscan is often used for doorways and other entrances where only a pair of columns are required, and using another order might seem pretentious. Because the Tuscan mode is easily worked up by a carpenter with a few planing tools, it became part of the vernacular Georgian style that lingered in places like New England and Ohio deep into the 19th ...
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]