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Beginning in 1949, Creative Playthings embarked on a series of collaborations with the Museum of Modern Art (MoMA) in New York City. In 1949, the children’s room and playroom of Marcel Breuer’s "House in the Museum Garden" (a model one-family home in the east end of the MoMA sculpture garden) was composed almost entirely of Creative Playthings objects and designs, including their "Hollow ...
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The district illustrates the city's key role as a centre of grain and wholesale trade, finance and manufacturing in two historically important periods in western development: between 1880 and 1900 when Winnipeg became the gateway to Canada's West; and between 1900 and 1913, when the city's growth made it the region's metropolis. [3]
Gilbert wrote that the Government encouraged the set's development because it believed the lab would aid public understanding of atomic energy and emphasize its constructive aspects. Gilbert also defended his Atomic Energy Laboratory, stating it was safe and accurate [3] and that some of the country's best nuclear physicists had worked on the ...
Harry Colebourn was born in Birmingham, England [1] and emigrated to Canada when he was 18. He attended the Ontario Veterinary College, then located in Toronto, Ontario, receiving his degree in veterinary surgery in 1911, [2] and moved west to Winnipeg, Manitoba.
Later, he worked at the Jewish Center in Far Rockaway, Long Island (along with his future wife, Theresa Caplan, and artist, Mark Rothko), where he made puppets and simple playthings for children. In 1934, he set up a cooperative farm-camp for city children. [3] On May 30, 1934, Frank Caplan married Theresa Caplan (b.
Playthings was an American trade magazine focusing on the toy and game industry. It was founded in 1902 by editor Robert McCready [2] and publisher Henry C. Nathan, [4] and it was published in physical form by Sandow Media on a monthly basis until Fall 2010 when it became an insert section and was merged with Gifts & Decorative Accessories magazine. [4]
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