Search results
Results From The WOW.Com Content Network
The next Uncon was a 3-day event held at the Melkweg in Amsterdam on 3–5 November 2006, with practically all Gong-related bands present: 'Classic' Gong (Allen, Smyth, Malherbe, Blake, Howlett, Travis, Taylor, plus the return of Steve Hillage and Miquette Giraudy), System 7, The Steve Hillage Band, Hadouk, Tim Blake and Jean-Philippe Rykiel ...
In 1990, the Gong name was revived for a one-off U.K. T.V. appearance with a line-up featuring Allen, Smyth and Malherbe, plus early 70s drummer Pip Pyle and three members of Here & Now (band): Stephen Lewry (lead guitar), Keith Bailey (bass) and Paul Noble (synth). In April 1992, Gongmaison became Gong permanently with the combined line-up of ...
Members of the progressive rock band Gong, as well as the offshoot Pierre Moerlen's Gong. Pages in category "Gong (band) members" The following 26 pages are in this category, out of 26 total.
Guitarist Clyde Grimes took on more vocal leads, and in 1984 the band recorded "Free Yourself", [4] which became very popular, especially in the United Kingdom where it was a number 26 hit in April 1985. [5] The band has gone through many lineup changes since then and in 2006 only vocalist Jerry Miller remained from the original lineup. [3]
Angel's Egg is the fourth studio album by the progressive rock band Gong, released on Virgin Records in December 1973. It was recorded using the Manor Mobile studio at Gong's communal home, Pavillon du Hay, Voisines, France, and mixed at The Manor, Oxfordshire, England. The album was produced by "Gong under the direction of Giorgio Gomelsky".
Shamal is the sixth studio album released under the name Gong and was released by Virgin Records on 13 February 1976 [3] The album, produced by Pink Floyd drummer Nick Mason, was recorded in December 1975 [4] by a unique line-up referred to later as "Shamal-Gong". It is usually regarded as a transitional album between Daevid Allen's incarnation ...
The kong chmol (គងឈ្មោល, literally male gong) is a Cambodian flat-faced gong, with different sizes and pitches, played in an ensemble, with players each playing one gong and responsible for one pitch, memorizing the music to play their pitch at appropriate times. [1]
The gong is round and flat-faced, made of a copper-brass alloy. [1] It has a hole on the edge, through which a string is tied to make a handle. [1] It is held with one hand and beaten with the mallet. Hitting the gong on the edge produces a different tone (sharp, metallic) than hitting it on the face (softer and more sustained.) [1]