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In the 7th and 8th century AD, Tang-dynasty immigrants brought new production techniques for textiles, and Japanese silk weaving improved. [7] Silk was used for high-class fabrics, [ 9 ] with silk noil from broken, lumpy or discarded silk cocoons used to weave lower-class materials such as tsumugi , a type of soft, uneven slub-woven silk with ...
The Jacquard loom is a mechanical loom, invented by Joseph Marie Jacquard in 1801, which simplifies the process of manufacturing figured textiles with complex patterns such as brocade, damask, and matelasse. [25] [26] The loom is controlled by punched cards with punched holes, each row of which corresponds to one row of the design. Multiple ...
A separate volume of essays uses the collection to explore the phenomenon of Japonisme: the enthusiasm for Japanese arts in late 19th century Europe. [8] There are also catalogues from various exhibitions. Harris, Victor (1994). Japanese imperial craftsmen : Meiji art from the Khalili collection. London: British Museum Press. ISBN 0714114634.
The Japanese word monozukuri (ものづくり) is a combination of 'mono' meaning thing and 'zukuri' meaning the act of making. [3] It simply means craftsmanship or manufacturing and has come to be used as a buzzword in industry and mass media to embody the Japanese spirit and history of manufacturing.
The city of Nara emerged as a centre of cultural and artistic exchange and became the point of introductory of kumihimo to Japan. [9] When regular trade and cultural exchange with China ceased Heian period (794-1185), kumihimo culture flourished, combining several earlier techniques to create a uniquely Japanese design that was more complex ...
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
Brocade fabrics are now largely woven on a Jacquard loom that is able to create many complex tapestry-like designs using the Jacquard technique. Although many brocade fabrics look like tapestries and are advertised in some fashion promotions as such, they are not to be confused with true tapestries. Patterns such as brocade, brocatelle, damask ...
The Japanese also produced large quantities from the mid-19th century, of very high technical quality. [32] During the Meiji era, Japanese cloisonné enamel reached a technical peak, producing items more advanced than any that had existed before. [33] The period from 1890 to 1910 was known as the "Golden age" of Japanese enamels. [34]