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Bascinet without accessories. The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet.It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck.
The great helm ultimately evolved from the nasal helmet, which had been produced in a flat-topped variant with a square profile by about 1180. [3] From this type of helmet an intermediate type, called an 'enclosed helmet' or 'primitive great helm', developed near the end of the 12th century. In this helmet the expansion of the nasal produced a ...
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Over time, the cervelliere experienced several evolutions. Many helmets became increasingly pointed and the back of the skull cap elongated to cover the neck, thus developing into the bascinet. [6] Cerveillieres were worn throughout the medieval period and even during the Renaissance. [7]
Schott-Sonnenberg Style of Armour (worn with sallet and gothic gauntlets). Early types of Maximilian armour with either no fluting or wolfzähne (wolf teeth) style fluting (which differs from classic Maximilian fluting) and could be worn with a sallet are called Schott-Sonnenberg style armour by Oakeshott. [4]
The helmet was made through the use of slivers of boar tusks which were attached to a leather base, padded with felt, in rows. A description of a boar's tusk helmet appears in book ten of Homer 's Iliad , as Odysseus is armed for a night raid to be conducted against the Trojans .
The helmet is a characteristic pear-shaped segmented helmet of the Turkic type. [2] [3] In the Kizil Caves in the Tarim Basin, knights wearing segmented pear-shaped helmets are depicted. It is thought that these depictions follow the events of 552 CE Turk uprising and the subsequent Turk expansion, giving a date of the 2nd half of the 6th ...
The first recorded European reference to a helmet's visor in the Middle Ages is found in the 1298 will of Odo de Roussillon, which speaks of a heume a vissere. [4] Whether this statement refers to a pivoting visor or a fixed faceplate is not clear; but by the early fourteenth century artistic depictions of moving visors appear quite frequently. [4]