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Du Bois was born on February 23, 1868, in Great Barrington, Massachusetts, to Alfred and Mary Silvina Burghardt Du Bois. [3] Mary Silvina Burghardt's family was part of the very small free black population of Great Barrington and had long owned land in the state.
W. E. B. Du Bois came to Atlanta University as a professor. [2] Many people believed that he was not religious enough (or did not practice the right religion) to teach at the university. Du Bois promised that he would use the Episcopal prayer book whenever he needed to fulfill his student chapel duties, so he was permitted to work there. [2]
Yolande's daughter, Du Bois Williams, married Arthur Edward McFarlane, Sr., and had a son, the first male born in the Du Bois family since Burghardt in 1897 (that child had died tragically at 18 months of age and was the topic of a chapter in W.E.B. Du Bois' most famous book, The Souls of Black Folk). Arthur Edward McFarlane, II, was born ...
The talented tenth is a term that designated a leadership class of African Americans in the early 20th century. Although the term was created by white Northern philanthropists, it is primarily associated with W. E. B. Du Bois, who used it as the title of an influential essay, published in 1903.
Each chapter in The Souls of Black Folk begins with a pair of epigraphs: text from a poem, usually by a European poet, and the musical score of a spiritual, which Du Bois describes in his foreword ("The Forethought") as "some echo of haunting melody from the only American music which welled up from black souls in the dark past". [1]
The Negro Problem is a collection of seven essays by prominent Black American writers, such as W. E. B. Du Bois and Paul Laurence Dunbar, edited by Booker T. Washington, and published in 1903. It covers law, education, disenfranchisement, and Black Americans' place in American society.
The groundbreaking for the new W.E.B. DuBois Academy on Wednesday, April 24, 2024 The school is expected to open in August 2026 behind Thomas Jefferson Middle School in the Newburg neighborhood.
The Krigwa Players' first official season was performed at the 135th Street branch of the New York Public Library in May 1926, [5] and consisted of two one-acts plays selected as winners of the literary contest in The Crisis, The Broken Banjo by Willis Richardson and The Church Fight by Ruth Ada Gaines-Shelton, and a third one-act by Richardson "Compromise".