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Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
Patrick D. Berry (born 1970) is an American puzzle creator and editor who constructs crossword puzzles and variety puzzles. He had 227 crosswords published in The New York Times from 1999 to 2018. His how-to guide for crossword construction was first published as a For Dummies book in 2004.
[1] [6] The newspaper started with weekly 21×21 puzzles on Fridays and added variety puzzles on Saturdays when the paper's weekend edition launched in 2005. [6] Monday crosswords ran in some editions for a few years before the Journal introduced daily weekday crosswords in September 2015; the 21×21 puzzle moved to the weekend, and Friday ...
sfjazz.org San Francisco Jazz Festival is an annual three-week music festival produced by SFJAZZ , a non-profit organization dedicated to jazz and jazz education. Notable performers
Merl Harry Reagle (January 5, 1950 – August 22, 2015) was an American crossword constructor. [2] [3] For 30 years, he constructed a puzzle every Sunday for the San Francisco Chronicle (originally the San Francisco Examiner), which he syndicated to more than 50 Sunday newspapers, [4] including the Washington Post, the Los Angeles Times, the Philadelphia Inquirer, the Seattle Times, The Plain ...
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Parker has written or edited over 50 books, a series of puzzle books for the For Dummies brand, 25 digital games, the annual USA Today Crossword Calendar, and the syndicated Family Time Crossword. In 2014, Parker co-wrote The Book of Revelation Made Clear with the co-creator of the Left Behind series, Tim LaHaye.
The SFJAZZ Center is an all-ages music venue in the Hayes Valley neighborhood of San Francisco, California, that opened in January 2013. It is considered the "first free-standing building in America built for jazz performance and education."