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The image of Saint Ludmila from a stained glass window at St. Ludmila's Church, Cedar Rapids, Iowa. The work was commissioned by the publisher Littleton during Dvořák's first visit to England. [5] It was intended for the Leeds Festival, and Dvořák, well acquainted with the English festival tradition, [5] was attracted by the idea.
Dvořák quoted in the third movement, measures 21–24, a bird that he heard in Iowa. The song appears as a high, interrupting strain in the first violin part. [24] Dvořák was annoyed by this bird's insistent chattering, and transcribed its song in his notebook. [25]
The National Czech & Slovak Museum & Library (NCSML) is a museum and library of Czech and Slovak history and culture located in Cedar Rapids, Iowa, in the United States. Established in 1974, the museum and library moved to its present site in 1983. The museum and library was severely affected by the Iowa flood of 2008. In 2012, rebuilding and ...
Created by Iowa artist Naomi Friend, you can choose from 20 different state park designs. 2,500 points: The first 300 passholders to redeem at this level get a free Iowa state park t-shirt.
Location of Washington County in Iowa. This is a list of the National Register of Historic Places listings in Washington County, Iowa. This is intended to be a complete list of the properties and districts on the National Register of Historic Places in Washington County, Iowa, United States. Latitude and longitude coordinates are provided for ...
Leon Bismark Beiderbecke House is a historic building located on the east side of Davenport, Iowa, United States.The house is the birthplace and boyhood home of jazz musician Leon Bismark "Bix" Beiderbecke and so the house is also known simply as the Bix Beiderbecke House.
Vernon Francis Dvorak (November 15, 1928 – September 19, 2022) was an American meteorologist. He studied meteorology at the University of California, Los Angeles and wrote his Master thesis An investigation of the inversion-cloud regime over the subtropical waters west of California in 1966.
The first movement starts off the Serenade in the key of E major. The second violins and cellos introduce the lyrical main theme over an eighth note pulse in the violas.The theme is traded back and forth, and the second violins reprise it under a soaring passage in the firsts.