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The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.
Canon 5.2 mm f/2.8 RF L [71] (a 190° stereographic fisheye with two fisheye lens systems: for 3D virtual reality shooting onto a single 35 mm full-frame image sensor, and less relevant for photography: fitting two image circles onto one frame of 36 mm width means that each can only be 18 mm in diameter, wasting quite a bit of resolution)
Underwater photography dates back to the early 20th century. Technological advancements, like the invention of the first waterproof camera housings and improvements in diving equipment, have made underwater photography more accessible. Today, digital cameras and advances in post-processing software have revolutionized underwater imaging ...
In photography, a rectilinear lens is a photographic lens that yields images where straight features, such as the edges of walls of buildings, appear with straight lines, as opposed to being curved. In other words, it is a lens with little or no barrel or pincushion distortion. At particularly wide angles, however, the rectilinear perspective ...
Hemispherical photography, also known as canopy photography, is a technique to estimate solar radiation and characterize plant canopy geometry using photographs taken looking upward through an extreme wide-angle lens or a fisheye lens (Rich 1990). Typically, the viewing angle approaches or equals 180-degrees, such that all sky directions are ...
It is a circular fisheye lens, designed to project a 180-degree field of view in all directions onto a circular image. It is the first such lens to provide the complete circular fisheye effect on crop factor digital SLR cameras, which do not have a full 36x24mm sensor. [1] This lens is available in Canon, Nikon, Sigma, Pentax and Sony mounts.
The smc Pentax-F 17–28mm Fish-eye f / 3.5–4.5 is the first fisheye zoom lens, manufactured by Pentax for single-lens reflex cameras (SLRs) with a K lens mount.At its widest setting of 17mm, it affords a 180° diagonal angle of view images for all K-mount full-frame SLR cameras; at 28mm, the diagonal angle of view is reduced to 90° on the diagonal.
(In photography, the magnification is usually defined to be positive, despite the inverted image.) For example, with a magnification ratio of 1:2, we find f = 1.5 ⋅ F {\displaystyle f=1.5\cdot F} and thus the angle of view is reduced by 33% compared to focusing on a distant object with the same lens.