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Frequency modulation and phase modulation are the two complementary principal methods of angle modulation; phase modulation is often used as an intermediate step to achieve frequency modulation. These methods contrast with amplitude modulation , in which the amplitude of the carrier wave varies, while the frequency and phase remain constant.
It could be the transfer of an analog signal, using an analog modulation method such as frequency modulation (FM) or amplitude modulation (AM), or no modulation at all. Some textbooks also consider passband data transmission using a digital modulation method such as ASK, PSK and QAM, i.e. a sinewave modulated by a digital bit-stream, as analog ...
Angle modulation is a class of carrier modulation that is used in telecommunications transmission systems. The class comprises frequency modulation (FM) and phase modulation (PM), and is based on altering the frequency or the phase, respectively, of a carrier signal to encode the message signal.
The Armstrong method generates a double sideband suppressed carrier signal, phase shifts this signal, and then reinserts the carrier to produce a frequency modulated signal. Frequency modulation generates high quality audio and greatly reduces the amount of noise on the channel when compared with amplitude modulation. Early broadcasters used ...
A Costas loop is a phase-locked loop (PLL) based circuit which is used for carrier frequency recovery from suppressed-carrier modulation signals (e.g. double-sideband suppressed carrier signals) and phase modulation signals (e.g. BPSK, QPSK). It was invented by John P. Costas at General Electric in the 1950s.
The lower frequency band occupied by the modulation signal is called the baseband, while the higher frequency band occupied by the modulated carrier is called the passband. [citation needed] In analog modulation, an analog modulation signal is "impressed" on the carrier.
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal. [1] FM synthesis can create both harmonic and inharmonic sounds.
is the peak frequency deviation; is the highest frequency in the modulating signal. For example, a typical VHF/UHF two-way radio signal using FM mode, [2] with 5 kHz peak deviation, and a maximum audio frequency of 3 kHz, would require an approximate bandwidth of 2 × (5 kHz + 3 kHz) = 16 kHz.