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The camera was about the size of a Leica M3 and weighed 907g (almost 2 pounds). It was equipped with a Schneider Xenar 45 mm f/2.8 lens. The Robot Royal 36 took a standard 35 mm still picture but was identical to the Royal 24 in all other regards. They retained the behind-the-lens rotary shutter with speeds from 1/2 to 1/500 s.
The front element of the Tessar can be replaced to make a long-focus or wide-angle lens. In 1957 Carl Zeiss offered the long-focus Pro Tessar 115 mm f/4 and 85 mm f/4, and the wide-angle Pro Tessar 35 mm f/3,2 for use on the central-shutter SLR Zeiss Ikon Contaflex Super B cameras.
The Sony Zeiss Vario-Tessar T* FE 24-70mm F4 ZA OSS is a constant maximum aperture full-frame (FE) zoom lens for the Sony E-mount, announced by Sony on October 16, 2013. [ 1 ] [ 2 ] Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 36 ...
Shutter speeds remained the same and the 3 lenses made for it were based on regular models and greatly modified for use in space with different coatings and specifications. the 90/2.8 Vega 12B turned into the Vega 12-C which came in a f/2.8 and f/4 variant that uses 11 aperture blades instead of the regular 6, it also has special yellow ...
Icarex is a line of 35mm single lens reflex cameras (SLRs) made by Zeiss Ikon, derived from an earlier Bessaflex project developed by Voigtländer.The Icarex line, which included the Icarex 35, Icarex 35CS, Icarex 35S, and SL 706, was aimed at a mid-range market above the Contaflex SLR, which was intended for advanced amateurs, but below the Contarex line for professionals.
The standard lens is the Carl Zeiss Planar 1:2 f=50mm in bright aluminium finish with a chrome 49 mm thread filter ring and an outer bayonet for Zeiss-Ikon filters. The lens focuses to 0.3 m (1 ft 0 in), which is closer than the usual 0.5 m (1 ft 8 in) for a normal lens. The focusing helical is remarkably smooth and precise.
The ZX1 received reviews with mixed conclusions. There was strong agreement that its lens and sensor produced particularly high-quality images, but that its minimal physical controls and design choices made in priority of its visual design compromised its usability - a particular point of criticism was the camera's viewfinder: its rubber eye cup, in contrast with those of most enthusiast-level ...
Topogon-design lens and auxiliary viewfinder for the Mamiya Press line of cameras. Goerz was merged into the Zeiss Ikon company in 1926. [9] An independent branch of Goerz in America, which had been established in 1895, licensed the Topogon design to Bausch & Lomb, who produced it as the Metrogon for the United States, citing the same US patent as the Topogon.