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Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach.It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier.
Ich hab in Gottes Herz und Sinn (I have given over to God's heart and mind), [1] BWV 92, is a church cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725.
Bach wrote the cantata in his first year in Leipzig for the Sunday Exaudi, the Sunday after Ascension. [1] [2] [3] The prescribed readings for the Sunday were from the First Epistle of Peter, "serve each other" (1 Peter 4:8–11), and from the second Farewell Discourse in the Gospel of John, the promise of the Paraclete, the "Spirit of Truth", and the announcement of persecution (John 15:26 ...
Bach wrote the cantata in his second year in Leipzig for the Sunday Exaudi, the Sunday after Ascension.The prescribed readings for the feast day were from the First Epistle of Peter, "serve each other" (1 Peter 4:8–11), and from the second Farewell Discourse in the Gospel of John, the promise of the Paraclete, the "Spirit of Truth", and the announcement of prosecution (John 15:26–16:4).
Bach structured the cantata in five movements, with two choral movements framing a sequence of recitative–aria–recitative. Bach scored the work for three vocal soloists (alto, tenor, bass), a four-part choir and a Baroque instrumental ensemble of three trumpets (Tr), timpani (Ti), two flauti traversi (Ft), two oboes (Ob), two violins (Vl), viola (Va) and basso continuo. [10]
Bach composed the cantata in his first year in Leipzig, which he had started after Trinity of 1723, for the Eleventh Sunday after Trinity. [2] The prescribed readings for the Sunday were from the First Epistle to the Corinthians, on the gospel of Christ and Paul's duty as an apostle (1 Corinthians 15:1–10), and from the Gospel of Luke, the parable of the Pharisee and the Tax Collector (Luke ...
Johann Sebastian Bach (1685-1750) / Cantatas Nos 32, 63, 65, 123, 124 & 154 (Media notes). Soli Deo Gloria – via Hyperion Records. Oron, Aryeh (2025). "Cantata BWV 124 Meinen Jesum laß ich nicht". Bach Cantatas website "Meinen Jesum laß' ich nicht / Text and Translation of Chorale".
Sei Lob und Ehr dem höchsten Gut (Praise and honour be to the highest good), BWV 117, [a] is a church cantata by Johann Sebastian Bach.He composed the chorale cantata in Leipzig between 1728 and 1731 for no specific occasion, based on the hymn by Johann Jacob Schütz.