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[5] [10] The duration is given as 21 minutes. [1] Some scholars, including Dürr and Gardiner, believe that the second oboe part in the choral movements 1 and 6 should also be played by oboe d'amore. [ 3 ] [ 9 ] The title on the original parts reads: "Domin: 8 post Trinit: / Erforsche mich Gott, und erfahre mein ect. / â / 4 Voci / Corno / 2 ...
Bach first performed the cantata on 4 February 1725, [6] only two days after the cantata Mit Fried und Freud ich fahr dahin, BWV 125, for the Purification of Mary on 2 February. [7] [8] The autograph of the cantata is lost, but the parts which Bach used are extant. [5] The cantata is the third-to-last chorale cantata in Bach's second cantata ...
Late May 1723 Bach took office as Thomaskantor (Kantor at St. Thomas) and director musices (music director) in Leipzig. He remained in that office until his death in 1750. From the first Sunday after Trinity in 1723, that year falling on 30 May, to Trinity Sunday of the next year he presented a series of church cantatas known as his first cantata cyc
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
Bach had used single stanzas of the hymn in his early funeral cantata Gottes Zeit ist die allerbeste Zeit, BWV 106, and in cantatas of his first Leipzig cycle. In the format of the chorale cantata cycle, an unknown librettist retained the first and last of Luther's four stanzas while paraphrasing the inner stanzas.
Bach wrote the cantata in his second year in Leipzig for the Sunday Exaudi, the Sunday after Ascension.The prescribed readings for the feast day were from the First Epistle of Peter, "serve each other" (1 Peter 4:8–11), and from the second Farewell Discourse in the Gospel of John, the promise of the Paraclete, the "Spirit of Truth", and the announcement of prosecution (John 15:26–16:4).
Bach composed the cantata in Leipzig in his second annual cycle for the Fifth Sunday after Easter, called Rogate.The prescribed readings for the Sunday were from the Epistle of James, "doers of the word, not only listeners" (James 1:22–27) and from the Gospel of John, from the Farewell Discourse of Jesus, "prayers will be fulfilled" (John 16:23–30). [2]
Bach wrote the chorale cantata in his second year in Leipzig for the First Sunday after Epiphany. [2] [3] The prescribed readings for the Sunday were taken from the Epistle to the Romans, speaking of the duties of a Christian (Romans 12:1–6), and from the Gospel of Luke, the finding in the Temple (Luke 2:41–52).