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af:Lêer:10 - Vivaldi Winter mvt 1 Allegro non molto - John Harrison violin.ogg ca:Fitxer:10 - Vivaldi Winter mvt 1 Allegro non molto - John Harrison violin.ogg cs:Soubor:10 - Vivaldi Winter mvt 1 Allegro non molto - John Harrison violin.ogg en:File:10 - Vivaldi Winter mvt 1 Allegro non molto - John Harrison violin.ogg eo:Dosiero:10 - Vivaldi Winter mvt 1 Allegro non molto - John Harrison ...
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
Music by Antonio Vivaldi published in 1725; Recording copyright John Harrison (JohnHarrisonViolin.com) This work is free and may be used by anyone for any purpose. If you wish to use this content , you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
Antonio Lucio Vivaldi [n 2] (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. [4] Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers.
The Four Seasons, Op. 8, Antonio Vivaldi, The Modena Chamber Orchestra: Author: Orpheus Chamber Orchestra: Software used: Xiph.Org libVorbis I 20120203 (Omnipresent) Date and time of digitizing: 21:00, 14 May 2020
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Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
The piece is a complete recomposition and reinterpretation of Vivaldi's violin concertos The Four Seasons. Although Richter said that he had discarded 75 percent of Vivaldi's original material, [1] the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music. [2]