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Rao classifies Uchchhishta Ganapati as one of the five Shakti-Ganesha icons, where Ganesha is depicted with a shakti, that is, a female consort. [4] The large figure of Ganesha is accompanied with smaller figure of the consort. [1] The nude devi (goddess) sits on his left lap. She has two arms and wears various ornaments.
In Hindu Tantra, Maithuna is the most important of the five makara (five tantric substances) and constitutes the main part of the Grand Ritual of Tantra variously known as Panchamakara, Panchatattva, and Tattva Chakra. In Tibetan Buddhism, karmamudra is often an important part of the completion stage of tantric practice.
[4] The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras. [6] In the Smrti of Yājñavalkya, written in the 6th century, Vināyaka is definitely mentioned as a demon who had been exalted to the rank of a deva. [7] He is clearly described as elephant-headed by the 8th century. [8]
Heramba (Sanskrit: हेरम्ब, Heraṃba), also known as Heramba Ganapati (Heraṃba-gaṇapati), is a five-headed iconographical form of the Hindu god Ganesha (Ganapati). This form is particularly popular in Nepal. [1] This form is important in Tantric worship of Ganesha. He is one of the most popular of the thirty-two forms of Ganesha.
Tantric massage focuses on the primary erogenous zones of the body, such as the mouth, the phallus , the vagina, and the anus. [2] [3] [4] According to the Tantric Massage Association, Tantra massage was developed in the 1980s by Andro Andreas Rothe, founder of Diamond Lotus Tantra Lounge, the first Tantra institute in Germany (1977). [5]
Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
Tantra is principally for 'upasana', inner discipline and are epitomes of knowledge. Tantras that are essentially esoteric deal with inner practices by adoration of the symbolic image, the yantra, and the mantra for awakening the Kundalini shakti.
A common form of this motif shows Ganesha seated with the shakti upon his left hip, holding a bowl of flat cakes or round sweets. Ganesha turns his trunk to his own left in order to touch the tasty food. In some of the tantric forms of this image, the gesture is modified to take on erotic overtones. [40]