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This finally brought home movies within the reach of the average family. The smaller format also made possible smaller and more portable cameras and projectors. The introduction of Kodachrome color reversal film for 16 mm in 1935, and for 8 mm in 1936, facilitated home color cinematography. The availability of reversal film, both black-and ...
The four-tube television camera, intended for color television studio use, was first developed by RCA in the early 1960s. [1] [2]: 96 In this camera, in addition to the usual complement of three tubes for the red, green and blue images, a fourth tube was included to provide luminance (black and white) detail of a scene.
Apollo 7 slow-scan TV, transmitted by the RCA command module TV camera. NASA decided on initial specifications for TV on the Apollo command module (CM) in 1962. [2] [ Note 1] Both analog and digital transmission techniques were studied, but the early digital systems still used more bandwidth than an analog approach: 20 MHz for the digital system, compared to 500 kHz for the analog system. [2]
The first camera to be formatted for the new film was the Kodak M2. During the late 1960s, cameras were only formatted to film at 18 frames per second, but as technology improved, speeds such as 24 frame/s (the motion-picture standard) and faster speeds (for slow-motion filming) were incorporated into camera mechanics.
Ah, the good ol’ Leica M3. This camera was first released in 1954 and became a game-changer in the 35mm camera market due to its unique build and design.
A Portapak is a battery-powered, self-contained video tape analog recording system. Introduced to the market in 1967, it could be carried and operated by one person. Earlier television cameras were large and heavy, required a specialized vehicle for transportation, and were mounted on a pedestal. The Portapak made it possible to shoot and ...