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The origin of the hymn's text is a poem by diplomat Sir Cecil Spring Rice, written in 1908 or 1912, entitled "Urbs Dei " ("The City of God") or "The Two Fatherlands". The poem describes how a Christian owes his loyalties to his homeland and the heavenly kingdom.
The Manse in Thaxted, where Gustav Holst lived from 1917 to 1925 "Thaxted" is a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets and named after Thaxted, the English village where he lived much of his life.
Here I Am, Lord", [1] also known as "I, the Lord of Sea and Sky" after its opening line, is a Christian hymn written by the American composer of Catholic liturgical music Dan Schutte in 1979 and published in 1981. [2] Its words are based on Isaiah 6:8 and 1 Samuel 3:4. It is published by OCP Publications.
UK Blues musician Ian Siegal recorded a song called "Beulah Land" on his album The Picnic Sessions. First line: "Riders of the purple sage". Alternative piano artist Tori Amos wrote a song also entitled "Beulah Land", which was a B-side on her 1998 album From the Choirgirl Hotel. Dennis brown mentions it in the song deliverance the destiny ...
"The Land" is a protest song, traditionally sung by the Georgist movement in pursuit and promotion of land value taxation.Its first appearance is from a Chicago Georgist publication, The Single Tax, in 1887 as "The Land Song" [1] Until the late 1970s it was sung at the end of each year's Liberal Assembly and was the party anthem of the Liberal Party, until that party merged with the SDP to ...
In Wales Aberystwyth Town supporters sing a version of the song, 'We all follow the Aber, over land and sea and Bangor! we all follow the Aber, on to victory'. Leeds United supporters sing a version of the song that goes as follows: 'Land of hope and glory, Yorkshire shall be free, We all follow United, onto victory'. In London, Spurs fans have ...
I Shall Not Be Moved" (Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .
Despite this, Alford revised the hymn again in 1867 in Year of Praise. Alford was a moderate who attempted to keep good relations between non-conformists and the High Church Anglicans in the Church of England: "Come, Ye Thankful People, Come" is commonly found in evangelical hymn books, as are Alford's "Forward be our watchword" and "Ten ...