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Maus, [a] often published as Maus: A Survivor's Tale, is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a Polish Jew and Holocaust survivor.
A joint ZDF–BBC documentary, Art Spiegelman's Maus, was televised in 1987. [128] Spiegelman, Mouly, and many of the Raw artists appeared in the documentary Comic Book Confidential in 1988. [55] Spiegelman's comics career was also covered in an Emmy-nominated PBS documentary, Serious Comics: Art Spiegelman, produced by Patricia Zur for WNYC-TV ...
Breakdowns is a collected volume of underground comic strips by American cartoonist Art Spiegelman.The book is made up of strips dating to before Spiegelman started planning his graphic novel Maus, but includes the strip "Maus" which presaged the graphic novel, and "Prisoner on the Hell Planet" which is reproduced in Maus.
For instance, he famously saw Art Spiegelman's use of animals in Maus as potentially reinforcing stereotypes. [35] Pekar was also disdainful of Spiegelman's overwhelmingly negative portrayal of his father in Maus, [35] calling him disingenuous and hypocritical for such a portrayal in a book that presents itself as objective. [35]
A Tennessee school board’s recent ban on Art Spiegelman’s “Maus” is the conclusion to a story we’ve already seen. A group of adults, whether it be parents or teachers, finds a book’s ...
Sales of Art Spiegelman's 'Maus,' the Pulitzer Prize-winning graphic novel on the Holocaust, have risen after a Tennessee school board banned it this month.
Spiegelman has said that the book was a way to reclaim himself from the post-traumatic stress disorder he suffered after the attacks. It also has many references to Spiegelman's Maus comics, for example one in which Art said that the smoke in Manhattan smelled just like Vladek said the smoke in the concentration camps smelled.
Funny Aminals is a 1972 single-issue anthology underground comic book created by Robert Crumb and a collection of other artists. The work is notable for containing the first published version of Art Spiegelman's Maus, though the version that ran in Funny Aminals was aesthetically and thematically different from the series Spiegelman would publish in Raw Magazine and as a standalone book.