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Itzhak Avraham ben Zeev Spiegelman (/ ˈ s p iː ɡ əl m ən / SPEE-gəl-mən; born February 15, 1948), professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus.
Maus, [a] often published as Maus: A Survivor's Tale, is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991.It depicts Spiegelman interviewing his father about his experiences as a Polish Jew and Holocaust survivor.
Spiegelman has said that the book was a way to reclaim himself from the post-traumatic stress disorder he suffered after the attacks. It also has many references to Spiegelman's Maus comics, for example one in which Art said that the smoke in Manhattan smelled just like Vladek said the smoke in the concentration camps smelled.
Sales of Art Spiegelman's 'Maus,' the Pulitzer Prize-winning graphic novel on the Holocaust, have risen after a Tennessee school board banned it this month.
Maus I & II, by Art Spiegelman The first graphic novel to win the Pulitzer Prize, Maus —and its sequel, Maus II — stand as masterful explorations of the Holocaust and its enduring impact on ...
Breakdowns is a collected volume of underground comic strips by American cartoonist Art Spiegelman.The book is made up of strips dating to before Spiegelman started planning his graphic novel Maus, but includes the strip "Maus" which presaged the graphic novel, and "Prisoner on the Hell Planet" which is reproduced in Maus.
Françoise Mouly (French:; born 24 October 1955) is a French-born American designer, editor and publisher. [1] She is best known as co-founder, co-editor, and publisher of the comics and graphics magazine Raw (1980–1991), as the publisher of Raw Books and Toon Books, and since 1993 as the art editor of The New Yorker.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. [1]