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SP Balasubrahmanyam became identified as Salman Khan's voice in the 90s just like Kishore Kumar became Rajesh Khanna's voice through the 70s. [ 7 ] [ 8 ] In 2013, Balasubrahmanyam recorded the title song for Chennai Express , singing for the lead actor Shah Rukh Khan , under the music direction of Vishal–Shekhar , breaking his 15-year hiatus ...
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
The soundtrack to the 1990 Hindi-language romantic musical film Aashiqui features twelve songs composed by Nadeem–Shravan (a duo consisting of Nadeem Saifi and Shravan Rathod) and lyrics written by Sameer, Rani Mallik and Madan Pal. Released by T-Series on 26 December 1989, it became the highest-selling Bollywood soundtrack of all time with around 2 crore units sold.
K. J. Yesudas is an Indian playback singer who has sung over 9,000 songs in various languages. He sung 207 Hindi language film songs. The following is a complete list of his Hindi film and non-film songs:
MTV, VH1—you couldn’t turn on the tube without seeing the critically-acclaimed music video for this chart-topping hit from early ‘90s alt-rock giants R.E.M. Call it campus rock, if you will ...
Film Song Composer(s) Writer(s) Co-singer(s) Ref. Hum Dil De Chuke Sanam "Kaipoche" Ismail Darbar: Mehboob Kotwal: Shankar Mahadevan, Jyotsna Hardikar, Damayanti Bardai [6]"Tadap Tadap"
"All My Life" by K-Ci & JoJo (1997) "Close to me you're like my father, Close to me you're like my sister, Close to me you're like my brother" Well, OK—that seems weird, but I'm still down with it.
Later, the programme started ranking the most popular Hindi film songs. The songs were initially ranked by a combination of the number of records sold in India and listener votes. [ 7 ] Popularity was gauged by record sales, verdicts from record store owners, and popularity among the shrota-sanghs or 'listeners clubs'.