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Most of Funkot's music are a result of remixing and sampling from other popular music in Indonesia. Remix and music sampling are also included in one song or even more than one song in one Funkot music piece. According to DJ Jet Baron, Funkot is similar to Wa Euro, a music genre that is a mix of J-Pop and Italo Disco.
Indonesian regional folk pop musics reflects the diversity of Indonesian culture and Indonesian ethnicity, mostly use local languages and a mix of western and regional style music and instruments. Indonesian folk music is quite diverse, and today embraces pop, rock, house, hip hop and other genres, as well as distinct Indonesian forms.
Addie MS — Music composer, producer and conductor; Afgan — Pop/R&B/soul male singer and actor; Agnez Mo — Indonesian-American pop/R&B/soul singer/songwriter, dancer and actress; Ahmad Albar — Rock musician and vocalist of God Bless; Ahmad Band — Rock band whose led by Ahmad Dhani
Variously, songs often combine formal Indonesian with street slang, youth code, regionally colored pronunciations, and even expressions from regional languages (typically Javanese, Sundanese, or Betawi). Indonesian hip hop is often mixed with heavy metal, dubbed "hip-metal". Groups such as Iwa-K and Denada produce music in this style. [1]
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1]
120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit Indonesia. ISMN 9790801882011.
Moreover, because Indonesia is a country in which class differences are obvious, frequently acknowledged, and pervasive in social life, music industry workers tend to view the Indonesian popular music market not as an entity composed of an undifferentiated mass of consumers, but as a ladder of different socioeconomic classes.
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