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The Champagne Standard Lamps are made of copper alloy. They stand 1.6 metres (5.2 ft) high. They each comprise ten stacked champagne coupes, some of which function as ashtrays, mounted on papier-mâché trays and surmounted by light fittings. [1] The V&A considers them among "the most important examples of Surrealist lighting in Britain". [14]
The torch is made from recycled steel. When lit, it is design to resemble a champagne foam after a cork was popped out (this is a reference to France's wine culture). It also acts like a natural flashlight because it can reflect natural light. It is upper and lower parts also represents the unity of men and women respectively.
The artwork is a tableau, visible only through a pair of peepholes—one for each eye—in a wooden door, of a nude woman lying on her back on a hill with her face hidden, legs spread, holding a gas lamp in the air in one hand against a landscape backdrop. Duchamp worked in secrecy on the artwork from 1946 to 1966 in his Greenwich Village ...
The andon is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. [1] The paper protected the flame from the wind. Burning oil in a stone, metal, or ceramic holder, with a wick of cotton or pith, provided the light. They were usually open on the top and bottom, with one side that could be lifted to provide access. [2]
There are no actual daylight light sources, only simulators. Constructing a practical light source that emulates a D-series illuminant is a difficult problem. The chromaticity can be replicated simply by taking a well known light source and applying filters, such as the Spectralight III, that used filtered incandescent lamps. [22]
Strip lights, also known as cyclorama or cyc lights (thus named because they are effective for lighting the cyclorama, a curtain at the back of the stage), border lights, and codas (by the brand name), are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length.
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