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Charles Thomas Studd, often known as C. T. Studd (2 December 1860 [1] – 16 July 1931), was a British missionary, a contributor to The Fundamentals, and a cricketer.. As a British Anglican [2] Christian missionary to China he was part of the Cambridge Seven, and later was responsible for setting up the Heart of Africa Mission which became the Worldwide Evangelisation Crusade (now WEC ...
Christ III is an anonymous Old English religious poem which forms the last part of Christ, a poetic triad found at the beginning of the Exeter Book. Christ III is found on fols. 20b–32a and constitutes lines 867–1664 of Christ in Krapp and Dobbie's Anglo-Saxon Poetic Records edition.
Only the last three out of twelve cantos have been preserved. What remains of the poem opens in the middle of a banquet. Had the first nine cantos been preserved, it is often thought that Judith would be considered one of the most laudable Old English works. [1] What is certain about the origin of the poem is that it stems from the Book of Judith.
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day.
Christ II, also called The Ascension, is one of Cynewulf's four signed poems that exist in the Old English vernacular. It is a five-section piece that spans lines 440–866 of the Christ triad in the Exeter Book (folios 14a-20b), and is homiletic in its subject matter in contrast to the martyrological nature of Juliana, Elene, and Fates of the Apostles.
The sequence of Christ I-III is sometimes known simply as Christ, and has at times been thought to be one poem completed by a single author. Linguistic and stylistic differences indicate, however, that Christ I-III originated as separate compositions (perhaps with Christ II being composed as a bridge between Christ I and Christ III).
Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall. Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas.
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).