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"Fade to Black" is a song and the first power ballad by the American heavy metal band Metallica, released as the first promotional single from their second studio album, Ride the Lightning (1984). The song was ranked as having the 24th-best guitar solo ever by Guitar World readers. [2] The song peaked at number 100 on Swiss Singles Chart in ...
The chord had been found in earlier works, [3] notably Beethoven's Piano Sonata No. 18, but Wagner's use was significant, first because it is seen as moving away from traditional tonal harmony and even towards atonality, and second because with this chord Wagner actually provoked the sound or structure of musical harmony to become more ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
Master of Puppets is the third studio album by the American heavy metal band Metallica, released on March 3, 1986, by Elektra Records. [2] Recorded in Copenhagen, Denmark, at Sweet Silence Studios with producer Flemming Rasmussen, it is the band's final album to feature bassist Cliff Burton.
In 1991, James Hetfield told Guitar World that he wrote the song's opening Bm-G chord change based on an idea prompted by the Venom song "Buried Alive" from their second studio album, Black Metal. I had been fiddling around with that B-G modulation for a long time. The idea for the opening came from a Venom song called "Buried Alive".
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).