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Prince Rama (previously Prince Rama of Ayodhya) was a two-piece "now age" psych-dance band based in Brooklyn, New York, founded by sisters Taraka Larson and Nimai Larson. Discovered by Animal Collective 's Avey Tare in a Texas dive bar in 2010, the band signed to Paw Tracks shortly thereafter, and have since released Shadow Temple and Trust Now ...
Top 10 Hits of the End of the World is a studio album by psychedelic dance duo Prince Rama consisting of sisters Taraka and Nimai Larson. Produced by Scott Colburn, it is a "retrospective requiem of all pop albums ever made" where Prince Rama revives the spirits of ten fictional musical acts who died during the apocalypse to perform hits: Arabian group Guns of Dubai, English dance act I.M.M.O ...
Nandamuri Taraka Rama Rao, often referred to by his initials NTR, was an Indian actor, film director, film producer, screenwriter, film editor, philanthropist and politician who served as the Chief Minister of Andhra Pradesh for seven years over four terms.
Nandamuri Taraka Ratna (22 February 1983 – 18 February 2023) was an Indian actor who worked in Telugu cinema. After his debut in Okato Number Kurraadu (2003), he acted in several films as the lead actor and a few as the antagonist.
Cameron Stallones, better known as Sun Araw, is an American musician.Previously a member of the band Magic Lantern, he has released several albums of experimental music, including a collaboration with Jamaican reggae group The Congos.
Taraka, Lanao del Sur, a municipality in the Philippines. Taraka, Papua New Guinea , a suburb of Lae in the Morobe Province, Papua New Guinea Taraka (butterfly) , a genus of butterflies
Taraka performed penance to Brahma and, when the creator appeared, asked for two boons: One, that none shall be his equal in all of the three worlds, and two, that only a son of Shiva could slay him. This second desire was considered to be crafty on his part, since Shiva was a yogi and was unlikely to bear children.
Gudipoodi Srihari of The Hindu wrote, "He [Taraka Ratna] impresses with acting, dancing and fighting, the essential ingredients of modern cinema. But the theme is ordinary, narrating a routine story" and called M. M. Keeravani's music "a redeeming factor". [3]