Search results
Results From The WOW.Com Content Network
Year Translator Title of the translation Original Title Original Language Genre Original Author References 1989: M.G. Jagannatharaja: Aamukta Malyada
The poem was dedicated to king Prahattan from north India, and to teach him principles of Tamil poetry. [10] It has significant details about clothing, jewelry, mountain farmers guarding their crops from elephants and other wildlife, weapons chieftains carried, musical instruments, warrior god Murugan, priests making their evening devotions ...
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
Bharathy introduced a new poetic style into the somewhat rigid style of Tamil poetry writing, which had followed the rules set down in the Tolkaappiyam. His puthukkavithai (Lit.:new poetry) broke the rules and gave poets the freedom to express themselves. He also wrote Tamil prose in the form of commentaries, editorials, short stories and novels.
The poem is an important and rich source of historical information about the ancient Chola kingdom and its capital city. The Pattinappalai mentions the city's music and dance traditions, cock and ram fights, the thriving alcohol and fisheries business, the overseas and domestic trade among the Indian peninsular port cities.
The Nālaṭiyār (Tamil: நாலடியார்) is a Tamil poetic work of didactic nature belonging to the Eighteen Lesser Texts (Patiṉeṇkīḻkaṇakku) anthology of Tamil literature. This belongs to the post Sangam period corresponding to between 100 and 500 CE. Nālaṭiyār contains 400 poems, each containing four lines. Every ...
The poem is divided into 10 sections (pattu) of about 100 verses each.Each hundred is divided into 10 decads (tiruvaymoli) 28 of 10 verses (pasuram) each.A special feature of the poem is that it is in the style of an antati, that is, the last words of one verse forms the opening words of the next one.
In these colophons, in addition to the poet's name is included the music and tune (melodic mode, raga) for the poem, as well as the composer of that music. [1] The Paripatal poems are longer than the poems in other major Sangam anthologies. The typical poems have 60 lines, and the longest surviving poem has 140 lines.