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For that purpose, the Bertha neckline, which lay below the shoulders and was often trimmed with three to six inches (7.6 to 15.2 cm) of lace or other decorative material, became popular with upper and middle-class women but it was socially unacceptable for working-class women to expose that much skin. [95]
Among women over 30, 1950s ladylike fashions made a comeback in the United States. This included pencil skirts, cardigans, girdles, petticoats, satin or lace Wonderbra lingerie, and fitted suits. [42] Popular accessories that went hand-in-hand with this revival included brooches, white gloves, sheer stockings, diamonds, sequins, and red ...
Lengths varied from knee to ankle and floor-length. The fabrications ranged from wool, crepe, snakeskin, suede, and fur to chiffon, tulle, lace, satin, and knits. A-line dresses, maxi panels, flared bottoms, sheaths, tunics, trench coats, and capes were accented by pleated ruffles, jet beading, and metallic wire. [47] The collection featured 84 ...
Women were inspired by the top models of those days, such as Twiggy, Jean Shrimpton, Colleen Corby, Penelope Tree, Edie Sedgwick and Veruschka. Velvet mini dresses with lace-collars and matching cuffs, wide tent dresses and culottes pushed aside the geometric shift. False eyelashes were in vogue, as was pale lipstick.
Both men and women of the Sámi culture of Northern Europe, particularly in the central and southern parts of the Sámi region, wear dickeys under certain tunic styles. The tunics often have a V-neck opening that the dicky is worn under. The dickeys are usually rectangular and are made from wool. Traditionally, women wear red wool while men ...
Lace again became popular and was used all over the dress. Any part of the dress could also be embroidered in silver or gold. This massive construct of a dress required gauze lining to stiffen it, as well as multiple starched petticoats. Even the clothes women would ride horses in received these sorts of embellishments. [5]
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