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Poemas de amor (1964) El gran zoo (1967) La rueda dentada (1972) El diario que a diario (1972) Por el mar de las Antillas anda un barco de papel. Poemas para niños y mayores de edad (1977) Yoruba from Cuba: Selected Poems of Nicolas Guillen (trans. Salvador Ortiz-Carboneres; Peepal Tree Press, 2005) Libre estoy, vine de lejos, soy un negro.
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The Head of Government (Spanish: Jefe/Jefa de Gobierno) wields the executive power in Mexico City. The Head of Government serves a six-year term, running concurrently with that of the President of the Republic. Mexico City, or CDMX, is the seat of national government, and is largely contiguous with the core of the sprawling Mexico City conurbation.
Additionally, the second album of the renowned Chilean series 31 Minutos is titled 31 canciones de amor y una canción de Guaripolo ("31 Love Songs and a Guaripolo Song"), making reference to the title of Neruda's book. Twenty Love Poems and a Song of Despair remains Neruda's most well-known work and has sold millions of copies worldwide. [3]
The Teatro de la Ciudad (Theater of the City) was built as the Teatro Esperanza Iris (Esperanza Iris Theatre) in 1918 and is now one of Mexico City’s public venues for cultural events. The theater is located in the historic center of Mexico City on Donceles Street 36.
Among the known poems, written by Juan Pablo Duarte in Santo Domingo, are Tristezas de la noche, Santana, Canto de guerra, Antifona, El Criollo, Desconsuelo, Suplica, Himno, La Cartera del proscribado, and four other poems without titles. In his romantic production, is the poem Romance, the theme of bitterness is evident. Remoteness portrays ...
The recurring segment, in which her character played by the actor Miguel Romero, was named El Rincón de Pita Amor. [5] She was an aunt of the Mexican author Elena Poniatowska and Mexican diplomat Bernardo Sepúlveda Amor. She died in Mexico City at the age of 81.
Manuel Ponce. Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore.