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The manuscript was brought by Constantin von Tischendorf in 1845 and in 1853 from Sinai. Tischendorf edited its text in Monumenta sacra inedita. [4] [5] The codex is divided, and located in three places: Russian National Library (Gr. 16, 1 f.) in Saint Petersburg — Matt. 12:17-19.23-25
The great edition, of which the text and apparatus appeared in 1869 and 1872, was called by himself editio viii; but this number is raised to twenty or twenty-one, if mere reprints from stereotype plates and the minor editions of his great critical texts are included; posthumous prints bring the total to forty-one. Four main recensions of ...
Tischendorf died before he could finish his edition, and the third volume, containing the Prolegomena, was prepared and edited by C. R. Gregory and issued in three parts (1884, 1890, 1894). [3] [4] Tischendorf gave the evidence known in his time. He used 64 uncial manuscripts, a single papyrus manuscript, and a small number of minuscule ...
One part of the codex was found by Tischendorf in an eastern monastery in 1853, another part in 1859. [7] As a result, the codex is divided and housed in two places. 158 leaves were bought in 1855 and they are housed in the Bodleian Library (Auct. T. infr 2.2) in Oxford and 99 leaves of the codex are located now in the National Library of Russia (Gr. 33) in Saint Petersburg.
Tischendorf also proposed the manuscript was produced by two scribes: one for the Old Testament, and one for the New Testament. Subsequent research indicates there may've been a third scribe involved. The text has been corrected by three correctors, designated by C 1, C 2, and C 3 (Tischendorf designated
The music dates from 1340–1400; [1] one piece, number 118, is clearly of later date, and numbers 115–117 may also be somewhat later than most of the others. [6] The geographical origin of the manuscript is equally uncertain; it is thought to be either Tuscany or Umbria .
If a piece is composed for just one instrument or voice (such as a piece for a solo instrument or for a cappella solo voice), the whole work may be written or printed as one piece of sheet music. If an instrumental piece is intended to be performed by more than one person, each performer will usually have a separate piece of sheet music, called ...
Tischendorf – discoverer and editor of the codex. Scrivener and Tischendorf [12] dated the manuscript to the 8th century, Gregory to the 9th century. In the present time the manuscript has been assigned on palaeographical grounds to the 9th century [23] or to the 10th century. The 8th century is also possible palaeographically, but it is ...