Search results
Results From The WOW.Com Content Network
The first several shows of the 1958–59 season of The Plymouth Show (also called The Lawrence Welk Show) on the ABC (America) network were broadcast with stereophonic sound in 75 media markets, with one audio channel broadcast via television and the other over the ABC radio network.
(The first stereo recordings, on disks, had been made in the 1930s, but were never issued commercially.) Stereo (either true, two-microphone stereo or multi mixed) quickly became the norm for commercial classical recordings and radio broadcasts, although many pop music and jazz recordings continued to be issued in monophonic sound until the mid ...
Today (also called The Today Show) is an American morning television show that airs weekdays from 7:00 a.m. to 11:00 a.m. on NBC.The program debuted on January 14, 1952. It was the first of its genre on American television and in the world, and after 73 years of broadcasting it is fifth on the list of longest-running American television serie
The experiments with stereo during the 1930s and 1940s were hampered by problems with synchronization. A major breakthrough in practical stereo sound was made by Bell Laboratories, who in 1937 demonstrated a practical system of two-channel stereo, using dual optical sound tracks on film. [28]
A little over 10 years ago, David Adjmi was on an airplane, listening to Led Zeppelin’s “Babe I’m Gonna Leave You,” and picturing Robert Plant recording the vocals. “It’s communicating ...
The North American Phonograph Company was an early attempt to commercialize the maturing technologies of sound recording in the late 1880s and early 1890s. Though the company was largely unsuccessful in its goals due to legal, technical and financial problems, it set the stage for the modern recording industry in the mid 1890s.
There’s a moment in David Adjmi’s play “Stereophonic” when a discordant, mid-’70s band-on-the rise hears one of its songs played back to them in the recording studio for the first time ...
RCA Photophone was the trade name given to one of four major competing technologies that emerged in the American film industry in the late 1920s for synchronizing electrically recorded audio to a motion picture image.