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Sterling later defined cyberpunk as "a new type of integration. The overlapping of worlds that were formally separated: the realm of high tech and modern underground culture. [6] [7] The relevance of cyberpunk as a genre to punk subculture is debatable and further hampered by the lack of a defined 'cyberpunk' subculture.
Cybergoth fashion combines rave, rivethead, cyberpunk and goth fashion, as well as drawing inspiration from other forms of science fiction. Androgyny is common. [5] The style sometimes features one starkly contrasting bright or neon-reactive theme color, such as red, blue, neon green, chrome, or pink, [6] set against a basic, black gothic outfit.
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Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
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The entire Marvel 2099 line is an example of the cyberpunk genre in comics, especially Ghost Rider 2099 and Spider-Man 2099. Marvel's Machine Man Vol. 2 Batman Beyond
Along with the print version of Boing Boing — with which Mondo 2000 shared several writers, including Mark Frauenfelder, Richard Kadrey, Gareth Branwyn, and Jon Lebkowsky — Mondo 2000 helped develop what was to become the cyberpunk subculture.
Cyberdelic (from "cyber-" and "psychedelic") was the fusion of cyberculture and the psychedelic subculture that formed a new counterculture in the 1980s and 1990s. Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground , algorithmic music , or other media.