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Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
The register key is a key on the clarinet [clarification needed] that is used to play in the second register; that is, it raises the pitch of most first-register notes by a twelfth (19 semitones) when pressed. It is positioned above the left thumb hole and is operated by the left thumb.
Schmidt named the instrument the "Reform Boehm clarinet". In the second half of the 1940s, master clarinet maker Fritz Wurlitzer, based in Erlbach, [a] Vogtland / Saxony, built a clarinet with Schmidt's instructions. [1] They had collaborated earlier in producing the Schmidt-Kolbe clarinet, a variant of the German clarinet. [2]
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
The clarinet was an inelegant instrument in the early 19th century despite the eight keys it had acquired. In 1812, Iwan Müller remodeled the instrument and raised the number of keys to 13. Other makers made small improvements to Müller's design, but the Boehm system clarinet represented the first complete redesign of the key system after ...
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Selmer first marketed the instrument in 1959: "Over the past 75 years, many new clarinet key Systems have been submitted to Selmer. Yet the Mazzeo system is the first we have ever placed in production. The reason: It is the first to offer realistically practical advantages for ever clarinetist.
Big Band musician Jimmy Dorsey used a clarinet outfitted with the Albert system. Albert system clarinets are still used, mainly in Belarusian, Russian, Ukrainian, Greek and Turkish folk music as well as Klezmer and Dixieland styles. Many musicians prefer the Albert system because its unkeyed tone holes make slurred notes easier to play.