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Illustration for Salome, by Manuel Orazi. A biographer of Wilde, Owen Dudley Edwards, comments that the play "is apparently untranslatable into English", citing attempts made by Lord Alfred Douglas, Aubrey Beardsley, Wilde himself revising Douglas's botched effort, Wilde's son Vyvyan Holland, Jon Pope, Steven Berkoff and others, and concluding "it demands reading and performance in French to ...
Salome by Oscar Wilde, a play written in 1891 and first produced in 1896, has been analysed by numerous literary critics, and has prompted numerous derivatives. The play depicts the events leading to the execution of Iokanaan (John the Baptist) at the instigation of Salome, step-daughter of Herod Antipas, and her death on Herod's orders.
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann 's German translation of the 1891 French play Salomé by Oscar Wilde , edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer .
The name "Dance of the Seven Veils" was chiefly popularized in modern culture with the 1894 English translation of Oscar Wilde's 1893 French play Salome in the stage direction "Salome dances the dance of the seven veils". [3] The dance was also incorporated into Richard Strauss's 1905 opera Salome.
Beardsley created his first version of The Climax, J'ai baisé ta bouche Iokanaan, as an illustration for the French version of Oscar Wilde's play, Salome. This illustration and eight others were printed in an article, "A New Illustrator: Aubrey Beardsley", by Joseph Pennell in the first issue of the artistic journal, The Studio in April 1893 ...
Films based on Salome (1896) by Oscar Wilde. The play depicts the attempted seduction of Jokanaan (John the Baptist) by Salome, step-daughter of Herod Antipas; her dance of the seven veils; the execution of Jokanaan at Salome's instigation; and her death on Herod's orders.
The Peacock Skirt was the second of ten illustrative plates published with the English version of Wilde's play. It shows a rear quarter view of a woman, Salome, wearing a long robe decorated with stylised peacock feather pattern.
Maud Allan performing as Salome. She returned to London in 1918 and took the lead role of Salome in Jack Grien's production of Oscar Wilde's Salome. [5] Grien's rendition of the play was not a public performance and required patrons to apply to attend the performance to get around the law that Biblical characters could not be portrayed in art. [9]