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The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...
This list compiles some of the most famous quotes by Aristotle and a few lesser-known ones, but equally as profound. Related: 75 Stoic Quotes from Philosophers of Stoicism About Life, Happiness ...
The idea of art being an imitation was present during the Renaissance when Vasari had said, "painting is just the imitation of all the living things of nature with their colours and designs just as they are in nature." [4] However, Plato's theories on this topic further explored the idea that art imitates the objects and events of ordinary life ...
Art never expresses anything but itself. All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art.
"All bad art comes from returning to Life and Nature, and elevating them into ideals." "Life imitates Art far more than Art imitates Life" After which, he suggested a conclusion quite in contrast to Moréas' search for shadow truth: "Lying, the telling of beautiful untrue things, is the proper aim of Art." [33]
Plato has regarded imitation as a general principle of art, as he viewed art itself as an imitation of life. This theory was popular and well accepted during the classical period. [ 2 ] During the Renaissance period, imitation was seen as a means of obtaining one's personal style; this was alluded to by the artists of that era like Cennino ...
Little is known about Aristotle's life. He was born in the city of Stagira in northern Greece during the Classical period. His father, Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Academy in Athens and remained there until the age of thirty seven (c. 347 BC).
The Aristotle scholar W. D. Ross suggested that in this conception magnificence turns out to be mainly a matter of aesthetic good taste. [9] The aesthetic role that magnificence acquired with Aristotle exerted a profound influence on rhetoric, the arts, architecture, and art criticism.