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Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
In Botticelli's Birth of Venus, the nude figure, although central to the painting, is not of itself the subject. The subject of the painting is a story from Classical mythology. The fact that the Goddess Venus rose naked from the sea provides justification for the nude study that dominates the centre of the work.
Among the best-known subjects of Italian artists are Botticelli's Birth of Venus and Pallas and the Centaur, the Ledas of Leonardo da Vinci and Michelangelo, and Raphael's Galatea. [2] Through the medium of Latin and the works of Ovid, Greek myth influenced medieval and Renaissance poets such as Petrarch, Boccaccio and Dante in Italy. [1]
Protesters targeted Botticelli's 'The Birth of Venus' painting in a demonstration at a museum in Florence.
Venus and Mars, c 1485. Tempera and oil on poplar panel, 69 cm x 173 cm. [1] National Gallery, London. Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour.
Venus and the Three Graces Presenting Gifts to a Young Woman, also known as Giovanna degli Albizzi Receiving a Gift of Flowers from Venus (Italian: Venere e le tre Grazie offrono doni a una giovane), is a fresco painting by the Italian Renaissance painter Sandro Botticelli of circa 1483–1486.
Raphael's Triumph of Galatea, 1512, fresco Sandro Botticelli, The Birth of Venus (c. 1484–1486). Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence. The depiction is somewhat similar to the Birth of Venus by Sandro Botticelli, showing the arrival of Venus after her birth at sea. There are small details, like the ...
Venus standing in her arch.. The painting features six female figures and two male, along with a cupid, in an orange grove. The movement of the composition is from right to left, so following that direction the standard identification of the figures is as follows: At the far right, "Zephyrus, the biting wind of March, kidnaps and possesses the nymph Chloris, whom he later marries and ...