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Paifang come in a number of forms. One form involves placing wooden pillars onto stone bases, which are bound together with wooden beams. This type of paifang is always beautifully decorated, with the pillars usually painted in red, the beams decorated with intricate designs and Chinese calligraphy, and the roof covered with coloured tiles, complete with mythical beasts—just like a Chinese ...
Other than narrowing the passage, candi bentar do not serve a real defensive purpose, since this type of split gate is originally designed not to have doors. Additional iron fences are seldom to never installed in the passage, if so they are usually added later and not part of the original design. The symbolism of a candi bentar is unclear.
English: Wooden gate with a wooden cross at its center in a high wall behind Marienkirche, Aulhausen. The opening is lined by two high stonepiers . The opening is lined by two high stonepiers . The plaster of the wall is stained and withered
Nikkō Tōshō-gū's omote-mon (front gate) structurally is a hakkyakumon (eight-legged gate). Mon (門, gate) is a generic Japanese term for gate often used, either alone or as a suffix, in referring to the many gates used by Buddhist temples, Shinto shrines and traditional-style buildings and castles.
The entrance opening is sometimes equipped with a door made of finely carved wood. [3] One of the oldest surviving paduraksa gates is Bajang Ratu in Trowulan, an elegant red-brick paduraksa gate dating from the mid-14th century Majapahit. The Bajang Ratu gate is adorned with bas-reliefs depicting the story of Sri Tanjung and Ramayana. [4]
A stone-carved pillar-gate, or que (闕), 6 m (20 ft) in total height, located at the tomb of Gao Yi in Ya'an, Sichuan province, Eastern Han dynasty (25–220 AD); [37] notice the stone-carved decorations of roof tile eaves, despite the fact that Han dynasty stone que (part of the walled structures around tomb entrances) lacked wooden or ...