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Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
Given that most weddings include a fair amount of music, you may be curating a playlist of songs to cover all the big moments including the ceremony, reception, cake-cutting and first dance.
After dinner and dessert, bust a move on the dance floor to these popular reception songs. You may even want to brush up on your "Cha Cha Slide"or "Cupid Shuffle"beforehand.“Dancing Queen” by ABBA
Koncherto for violin and percussion ensemble (1959) Music for Violin and Various Instruments, European, Asian, and African (1967–69) Suite for Violin and American Gamelan (1974; arr. for violin and string orchestra, 1993) Philemon and Baukis for violin and Javanese gamelan (1985–87) Hamilton Harty
The Violin Concerto No. 1 is a composition for solo violin and orchestra by the Scottish composer James MacMillan. The piece was first performed at the Barbican Centre on May 12, 2010 by the violinist Vadim Repin and the London Symphony Orchestra under the conductor Valery Gergiev .
In her review for Allmusic, Joslyn Layne notes that "Music for Violin Alone is the debut date as leader for virtuoso violinist Mark Feldman, who has performed as a sideman with countless musicians, in genres ranging from country to avant-garde jazz.
The work is scored for solo violin, SATB chorus, and an orchestra comprising two flutes, two oboes (2nd doubling English horn), two clarinets, two bassoons, four horns, three trumpets (1st doubling piccolo trumpet), three trombones, tuba, harp, timpani, two percussionists, and strings.
The music journalist Jari Kallio praised the piece as "one of [Grime's] most compelling scores" and predicted that "the concerto is destined to become a repertory item." [ 2 ] Fellow music journalist Colin Anderson similarly said that the work "makes an instant impression through energy and attack," describing it as "music that also holds the ...