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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
The marble base of Lartos was certainly made in Rhodes, where there are parallels. Moreover, the Rhodian sculpture in large marble is of high quality, [66] without being exceptional for its time, but there are no parallels for the virtuosity of the Nike, which remains unusual. The sculptor could also come from elsewhere, as was common in the ...
Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble
Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. [1] It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence ...
Finally, in 1908, the sculpture was bought by the Italian government and returned to the Galleria Borghese, where it was placed in the centre of the Salone degli Imperatori, a room in the museum. The original pedestal, at one point destroyed, has been replaced by a simple white marble base sculpted in 1911 by Pietro Fortunati. [33]
The two sculptures matched the inscription found on the blocks, discovered at the church of Panagia, located just 200 meters (660 ft) from where the statues were excavated. [ 8 ] In the lower part of the statues an irregular ring of lead was discovered; based on this mass of lead a comparison was made between the statues and the block of marble.
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