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"Brandy (You're a Fine Girl)" is a 1972 song by American pop rock band Looking Glass from their debut album, Looking Glass. It was written by Looking Glass lead guitarist and co-vocalist Elliot Lurie. The single reached No. 1 on both the Billboard Hot 100 and Cash Box Top 100 charts.
Looking Glass is an American pop rock band formed in New Jersey that were active during the early 1970s. They are known for their chart-topping 1972 hit song " Brandy (You're a Fine Girl) ", which reached No. 1 on both the U.S. Billboard Hot 100 and Cash Box Top 100 charts, remaining in the top position for one week.
"Jimmy Loves Mary-Anne" is a 1973 song written and composed by Elliot Lurie and recorded by Lurie's band, Looking Glass. It was the first track on their second and final album, Subway Serenade . The title has also been spelled "Jimmy Loves Mary-Ann".
Elliot Lurie (born August 19, 1948) is an American musician who was the lead guitarist, songwriter, and co-lead vocalist for the band Looking Glass from 1969 to 1974. He wrote and sang lead on their 1972 #1 hit single "Brandy (You're a Fine Girl)" and their 1973 Top 40 single "Jimmy Loves Mary-Anne".
One seeming nod to Slater, 31, is “The Boy Is Mine,” a song that not only shares its name with the song Brandy, 45, and Monica, 43, released in 1998 but also interpolates the classic R&B hit.
"Brandy", later called "Mandy", is a song written by Scott English and Richard Kerr. [2] It was originally recorded by English in 1971 and reached the top 20 of the UK Singles Chart . "Brandy" was recorded by New Zealand singer Bunny Walters in 1972, but achieved greater success when released in the United States in 1974 by Barry Manilow .
And I still can’t swirl either without looking like a T. rex holding a glass for the first time. Perhaps that’s the value of all the ceremony surrounding that Macallan 1950.
The song went unnoticed by most, but not by Harv Moore, a disc jockey in Washington, D.C. The song would go on to peak 6 months after its release, and the album charted for 16 weeks in the U.S. [ 4 ] Critical reception