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Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicana/o and Latina/o experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature. [1]
La Frontera/The Border: Art about the Mexico/United States Border Experience: Discussion of Coyolxauhqui, autohistoria, nepantla, and the visual arts [20] "Foreword" 1996: Cassell's Encyclopedia of Queer Myth, Symbol and Spirit: Discusses spirituality. Worked on a longer version until her death [21] "Let us be the healing of the wound: The ...
Canícula: Snapshots of a Girlhood en la Frontera is a semi-autobiographical work by Norma Elía Cantú, published in 1995 by Albuquerque: University of New Mexico Press. The book tells the story of Cantú’s childhood and adolescence and her community in the borderlands of Laredo, Mexico and Nuevo Laredo, Texas.
When you need an extra boost of inspiration, these motivational quotes will inspire you to keep going. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways ...
Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was an American scholar of Chicana feminism, cultural theory, and queer theory.She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.
In her book, Borderlands/La Frontera: The New Mestiza, she writes: "In a constant state of mental nepantilism, an Aztec word meaning torn between ways, la mestiza is a product of the transfer of the cultural and spiritual values of one group to another. Being tricultural, monolingual, bilingual or multilingual, speaking a patois, and in a state ...
Sylvanna Falcón conducted qualitative research with Afro-Peruvian women participating in the World Conference Against Racism 2001. From her research, Falcón tries to understand the lives of three participants—Sofía, Mónica, and Martha—by merging a gendered view of W.E.B. Du Bois' double consciousness and an expanded view of Gloria E. Anzaldúa's mestiza consciousness frameworks.
Border Art is a contemporary art practice rooted in the socio-political experience(s), such as of those on the U.S.-Mexico borderlands, or frontera.Since its conception in the mid-80's, this artistic practice has assisted in the development of questions surrounding homeland, borders, surveillance, identity, race, ethnicity, and national origin(s).