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The bronze-cast heads of the stone statues were among the treasures looted during the destruction of the Old Summer Palace by British and French expeditionary forces in 1860 during the Second Opium War. [3] Since then, they have been among the most visible examples of attempts to repatriate Chinese art and cultural artifacts.
Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs , and small statuettes and figurines , as well as bronze elements to be fitted to other objects such as furniture.
The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting". [2] Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, [ 3 ] it was found alongside a small collection of other bronze statues in Arezzo , an ...
King at Rest by Lorenzo E. Ghiglieri, is a life-like cast bronze sculpture of a lion perched on a rock. [2] The sculpture is placed near three sculptures by Tom Otterness and across the street from Victory Field. The sculpture has a two-tone patina scheme: the hair of the lion is patinated black, while the body and the rock are patinated brown. [2]
Luristan bronze objects came to the notice of the world art market from the late 1920s and were excavated in considerable quantities by local people, "wild tribesmen who did not encourage the competition of qualified excavators", [10] and taken through networks of dealers, latterly illegally, to Europe or America, without information about the contexts in which they were found. [11]