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The reliquary exuberantly exploits the ronde bosse or "encrusted" enamelling technique, which involves creating small three-dimensional figures coated in enamel on a metal core, often just gold wire. [40] The technique was a recent innovation which the goldsmiths working for the Valois were pushing to its limits at the end of the 14th century.
The Invergordon Common Good Fund owns the bust, which was purchased in 1930 for about $6.35. Now, the historical bust could sell for $3.1 million. A bust was used as a door stopper in 1998.
Bust with necklace: Plaster: 58.3cm Q76626548: One bronze cast, Museum of African Art, Washington [1] Professor Franz Boas: Cornell University: 1927 Bust: Plaster: Two bronze casts in private collections [1] More images: Madonna and Child: Riverside Church, New York City: 1927 Seated sculpture group: Bronze: Life-size
Bust of Nefertiti; c. 1345 BC; limestone and plaster; height: 48 cm, width: 20 cm; Neues Museum, Berlin, Germany. A bust is a sculpted or cast representation of the upper part of the human body, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is ...
Blair Buswell (born 1956) is an American artist who specializes in sports sculptures and has created almost 100 of the Pro Football Hall of Fame busts. [1] [2]Originally from North Ogden, Utah, Buswell began his formal art training at Ricks College. [2]
The statues of the Renaissance masters had been strictly frontal, dictating the spectator to view it from one side, and one side only. Bernini's David is a three-dimensional work that needs space around it and challenges the viewer to walk around it, in order to contemplate its changing nature depending on the angle from which it is seen. [15]
A figurine (a diminutive form of the word figure) or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay , metal, wood, glass, and today plastic or resin the most significant.
The concept of Cubist sculpture may seem "paradoxical", writes George Heard Hamilton, "because the fundamental Cubist situation was the representation on a two-dimensional surface of a multi-dimensional space at least theoretically impossible to see or to represent in the three dimensions of actual space, the temptation to move from a pictorial ...
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